
NCTJ Awards for Excellence 2025 open for entries
The NCTJ Awards for Excellence, sponsored by Reuters, are now open for entries.
Find out the latest news from the NCTJ, our accredited courses and the wider journalism industry.
The NCTJ Awards for Excellence, sponsored by Reuters, are now open for entries.
The Department for Education has responded to the NCTJ following the launch of the Save Quality Journalism Education campaign, which calls for the reversal of planned cuts to high-cost subject funding for journalism courses in higher education. In a letter…
Cohort 3 of the Journalism Diversity Fund has now concluded with the awarding of ten bursaries for the 2017/18 academic year. These up-and-coming journalists were awarded funding to begin their journalism training at NCTJ-accredited courses beginning this September.
The exam moderator has congratulated NQJ award winners on achieving top marks in July’s NQJ exam.
Two-thirds of trainees in the July sitting of the National Qualification in Journalism (NQJ) exams achieved the qualification.
Fifteen hopeful journalists have been shortlisted for the third round of 2017 Journalism Diversity Fund bursaries, which would cover the cost of their NCTJ-accredited journalism training.
Fifteen hopeful journalists have been shortlisted for the third round of 2017 Journalism Diversity Fund bursaries, which would cover the cost of their NCTJ-accredited journalism training.
The NCTJ is looking to recruit individuals with an experienced journalistic background to join our team of end-point assessment (EPA) markers for the Level 3 apprenticeship standard for a junior journalist.
A former apprentice has been involved in the launch of a local TV channel, as the KM Group goes live with KMTV, a Freeview and Virgin channel available across the county of Kent.
JDF recipient Jen Stout reflects on her work experience at the New Statesman, and details why she would always choose to work face to face with people over freelancing.
JDF recipient Jen Stout reflects on her work experience at the New Statesman, and details why she would always choose to work face to face with people over freelancing.